As their cultural icons fall, leftists cannot accept reality or responsibility. The reality is simple: The market for their increasingly radical beliefs is shrinking. The responsibility is theirs. They moved far away from the American public and then blamed the public for refusing to follow.
So the left does what it always does. It refuses to blame its fallen icons. It refuses to change its beliefs. Instead, it turns its icons into martyrs.
The left makes martyrs of the people and institutions falling from their pedestals. That is easier than admitting the left was wrong.
The latest martyr is Scott Pelley, a former correspondent for CBS’ “60 Minutes.” According to the Associated Press, Pelley accused one of his bosses of “murdering” the show and said “she has no qualifications for her job.” He then reportedly turned on others, saying, “You have slender qualifications for this job.”
Page Six’s Hollywood section put the episode more bluntly: “‘Poison Pelley’: Scott Pelley’s tirade against new ‘60 Minutes’ boss latest example of respected CBS journo’s ‘diva’ behavior.”
Pelley told the New York Times on Sunday that CBS News had lost its way.
“We have people who’ve been installed in these jobs who, through no fault of their own, have no experience in television,” he said. “They don’t know what they’re doing. And there’s a subtle political bias that I’ve never seen at ‘60 Minutes’ before, or at CBS News before. So that is my hope: a return to sanity.”
Pelley is right about one thing. CBS News has never had a “subtle political bias.” The bias has always been obvious and leftward, as AllSides’ media bias rating makes clear.
His elevation to martyr status joins a long and growing list.
Network news did not need Scott Pelley to damage itself. It was already doing that quite well. According to Gallup polling in 2025, only 28% of Americans had a “great deal” or “fair amount” of trust in mass media. In February, Pew Research found that 57% of Americans had low confidence in journalists to act in the public’s best interest.
That helps explain why NBC News cut loose MSNBC, why MSNBC tried a major rebrand and cut salaries and staff, and why CNN underwent another major overhaul in 2025. These outlets did not suffer because America suddenly became too stupid to appreciate them. They suffered because Americans understood them too well.
Hollywood tells the same story. “Supergirl” is a super flop, another link in the industry’s chain of progressive pandering. It was short on plot and long on marketing budget. The marketing could not overcome the product. And if the force-feeding of ideology were not enough, the film’s star insulted the prospective audience before viewers had a chance to walk out.
“Supergirl” is symptomatic of Hollywood’s superhero genre and of the larger industry. Both now treat entertainment as beneath them. A movie is no longer a movie. It is a vehicle for indoctrinating supposedly backward Americans who can absorb the left coast’s “higher values” only through metaphor and spandex.
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David Jon/Getty Images/Warner Bros. Pictures
Late-night television offers the same lesson through Stephen Colbert. Or rather, it did. Colbert is no longer on television and for good reason. He was not funny. His show was too expensive. Like Pelley, he repeatedly insulted his bosses. Now, the left lionizes him as a brave man who stood up to President Trump.
Colbert was to late night what “Supergirl” is to Hollywood: a symptom of a larger disease. What was true of him individually is true of late-night television generally. It became another forum for the left to talk to itself while demanding that the rest of America listen.
Print media is no better. The Washington Post is suffering the same fate as its brethren in film and television: declining readership, mounting financial losses, and staff cuts. As with TV, what can be said of the Post can be said of newspapers generally. Their audience shrank because their contempt grew.
In all these cases, the left has transformed icons into martyrs because it refuses to accept reality. In Pelley’s case, the reality is especially obvious. Publicly lashing out at your bosses is showboating stupidity. Everyone knows this. Everyone follows that basic rule except the left, which believes its heroes deserve a different standard.
In the other cases, the left refuses to accept the market’s verdict. Life does not operate as a charity or a government program. Charities can treat losses as proof of need. Governments can tax and borrow their way around failure. Markets are less sentimental. When audiences stop watching, buying, reading, or subscribing, the message is clear.
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Kent NISHIMURA/AFP/Getty Images
The left hates that message because it hates markets. Markets reveal what people actually want. They do not care what cultural elites believe people should want.
That is why the left prefers government and bureaucracy. Regulation can soften market verdicts. Subsidies can delay them. Institutional capture can disguise them. But none of it can make Americans love products they have already rejected.
The left also refuses to accept responsibility for the collapse of its icons. America’s left has become more radical, and the rest of the country has not followed. To admit that would require admitting failure.
So the left makes martyrs of the people and institutions falling from their pedestals. That is easier than admitting the left was wrong. It is less painful than asking why so many Americans stopped listening.
But the answer is not hard to find. The icons fell because the public fell away.
Scott pelley, Stephen colbert, Hollywood, Cbs news, Supergirl, Mainstream media, The left, Washington post, Opinion & analysis
